Kip Fagan

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NYC: Zayd Dohrn’s The Profane, Heidi Schreck’s Grand Concourse (Playwrights Horizons); Jenny Rachel Weiner’s Kingdom Come (Roundabout Underground); Ike Holter’s Exit Strategy (Primary Stages); Jesse Eisenberg’s The Revisionist and Asuncion, Halley Feiffer’s How to Make Friends and Then Kill Them, Heidi Schreck’s There Are No More Big Secrets, Sheila Callaghan’s That Pretty Pretty; or, The Rape Play (Rattlestick); Ariel Stess’s The World My Mama Raised and I’m Pretty Fucked Up, Sheila Callaghan’s Roadkill Confidential, Rachel Hoeffel’s Quail (Clubbed Thumb); Carlos Murillo’s A Thick Description of Harry Smith, Sam Hunter’s Jack’s Precious Moment (P73); Reggie Watts and Tommy Smith’s Radio Play (P.S. 122). Regional: Alliance, Long Wharf, Woolly Mammoth, Williamstown, Humana, George Street Playhouse, Philadelphia Theatre Company, Portland Center Stage, Marin Theatre Company, City Theatre. Taught and/or directed at Juilliard, NYU, SUNY Purchase, National Theatre Institute, Strasberg Center. NEA/TCG directing fellow, Clubbed Thumb affiliated artist, co-founder of Printer’s Devil in Seattle.

Role with GPTC: Responder